Today At The Clinton Street Theater
PCASC Fundraiser: WHO IS DAYANI CRISTAL?
Deep in the sun-blistered sonora desert beneath a cicada tree, Arizona border police discover a decomposing male body. Lifting a tattered t-shirt, they expose a tattoo that reads “Dayani Cristal”.
Who is this person? What brought him here? How did he die? And who—or what—is Dayani Cristal?
Following a team of dedicated staff from the Pima County Morgue in Arizona, director Marc Silver seeks to answer these questions and give this anonymous man an identity. As the forensic investigation unfolds, Mexican actor and activist Gael Garcia Bernal retraces this man’s steps along the migrant trail in Central America. In an effort to understand what it must have felt like to make this final journey, he embeds himself among migrant travelers on their own mission to cross the border. He experiences first-hand the dangers they face and learns of their motivations, hopes and fears. As we travel north, these voices from the other side of the border wall give us a rare insight into the human stories which are so often ignored in the immigration debate.
Who Is Dayani Cristal? tells the story of a migrant who found himself in the deadly stretch of desert known as “the corridor of death” and shows how one life becomes testimony to the tragic results of the U.S. war on immigration. As the real-life drama unfolds we see this John Doe, denied an identity at his point of death, become a living and breathing human being with an important life story.
Winner of the Sundance 2013 Cinematography award and nominated in the World Documentary Competition, “Who is Dayani Cristal?” has been described by The Hollywood Reporter as “A deeply moving doc [which] finds a new way of making the immigration debate personal.”
REEL FEMINISM: The Motherhood Archives
Gather ’round, feminist film lovers, In Other Words has teamed up with the Clinton Street Theater to present Reel Feminism: a film series highlighting movies directed by women and genderqueer individuals that have a feminist perspective or address feminist topics.
Engaging, inspiring, sometimes difficult to watch, these films are followed by a facilitated audience discussion.
Clear your calendar for the 4th Monday of every month at 7 PM, and join the Reel Feminism Facebook group for more information.
Archival montage, science fiction, and an homage to 70s feminist filmmaking are woven together to form this haunting and lyrical essay film excavating hidden histories of childbirth in the twentieth century. Assembling an extraordinary archive of over 100 educational, industrial, and medical training films (including newly rediscovered Soviet and French childbirth films) THE MOTHERHOOD ARCHIVES inventively untangles the complex, sometimes surprising genealogies of maternal education. From the first use of anesthetic ether in the 19th century to the postmodern 21st century hospital birthing suite, THE MOTHERHOOD ARCHIVES charts a fascinating course through the cultural history of pain, the history of obstetric anesthesia, and the little-known international history of the natural childbirth and Lamaze movements. Revealing a world of intensive training, rehearsal, and performative preparation for the unknown that is ultimately incommensurate with experience, THE MOTHERHOOD ARCHIVES is a meditation on the maternal body as a site of institutional control, ideological surveillance, medical knowledge, and nationalist state intervention. Finally, the film works as a feminist recuperation of obsolete maternal histories, as a visual analysis of the persistent disciplining of the pregnant / laboring body, and as a new, contemporary counter-archive of women’s experiential narratives.